26 March 2014

Call for Submissions - Textile Artist

Are you an artist who works with textiles? If so, this call for submissions may be for you!

Small Pond Arts is an art farm in Ontario’s beautiful Prince Edward County. To celebrate the beginning of each summer season, we hang a giant handmade banner on our silo. Usually we make the banner ourselves, but as we are celebrating our 5th season this year, we would like to offer the opportunity of creating the banner to another artist.


In exchange for creating the banner, the selected artist will be given a 2-week residency at Small Pond Arts, including accommodation, studio space and all meals (value: $780). In addition, the successful candidate will be given a $300 honorarium to put towards either materials or transportation costs. We can provide a sewing machine, although you are welcome to bring your own.

In the past our banners have measured 10’ x 20’ in a vertical orientation – this size fits the space well, but is not written in stone. The images for the last four years have been: a heart, a leaf, an arrow and a key. The banner is displayed from the end of May until the fall; it must be well-sewn and reinforced to stand up to the wind, and colour-fastness must also be considered.


Our previous designs have been bold and simple, and have each taken a couple of days apiece to sew. If you are proposing a similarly simple design, you will have ample time at Small Pond to focus on your own artistic projects. Of course if you want to undertake a more ambitious design, that is welcome, too!

Dates of residency: May 11-25, 2014. These dates are slightly flexible, but the banner will be publicly raised on the silo on May 24, officially launching our 5th season.

How to apply: Check out our website to find out more about us: www.smallpondarts.ca. 

Email the following to info@smallpondarts.ca:

- Photos of your work, including textile work 

- CV, including complete contact information

- Letter of introduction, telling us why you want to undertake this residency, and describing what other activities you hope to undertake while not working on the banner

- Your proposed idea for the banner design, including a sketch or mock-up

- Anything else you think we should know about you!

Deadline to apply: April 13. 

Winner will be announced April 14.

Thanks for your interest!



11 February 2014

Creative Adventures in Fort Hope

I just returned from another week in Northern Ontario as a volunteer artist with ArtsCan Circle. It was my first visit to the fly-in community of Eabametoong First Nation, otherwise known as Fort Hope.


I was accompanied by lovely fellow artists Sarah Morano and Marianne Girard, and our workshops were part of a conference called “Embracing Our Youth.”


We led six workshops with kids between junior kindergarten and Grade Two. As the kids were so young, we had to keep things pretty fast-paced to keep their interest.

John C. Yesno Education Centre - the school where we worked
Each workshop started with a quick introduction and sing-along, then we moved into making Artist Trading Cards.


Artist trading cards are miniature works of art about the same size as baseball cards. Each student got three cards and we had markers, crayons, collage materials and glittery things with which to adorn them. I made a few examples to show the kids some ideas:


Imitation really is the sincerest form of flattery!


When they were done the kids wrote their names on the back and the finished cards were set aside on a table.


This was the first time that I've done Artist Trading Cards as a school activity, and it was a big hit! Some kids got very attached to their cards and took back their own, although others really liked the idea of swapping. Either way, they all had a great time getting creative.

Time to swap!
Once the cards were finished, we moved into the musical portion of the workshop. Sarah played her fiddle and led some improvisational games. 


Marianne led some songs with actions, which the kids loved.


I really enjoyed being a part of the conference as when we weren't working we could take part in other conference activities:

Making bannock... mmmm!
Cedar Teachings with Bill Mequanawap
Rehearsal for Turtle Concepts Fashion Show
At the conclusion of the conference we were given these gorgeous mitts, one of the most special gifts I have ever received. The symbol beaded onto my mitts is the Thunderbird, which is the symbol of the Ojibway people.


On our last morning the Principal of the school took us out for a drive on the ice road. It was a beautiful, sunny morning, although the temperature was somewhere around -30 Celsius.

Group of Seven, anyone?

We pulled in to the airport just minutes before our flight, and climbed aboard this tiny 8-seater.


We were the only people flying that day, and it was a remarkably smooth flight back to Thunder Bay, where we transferred to a flight to Toronto.


It’s always nice to come home after being away, but this winter in Prince Edward County has been CRAZY and I think there’s more snow here than up North!


Thankfully, there's just a few days left of winter for me, as I'll be leaving shortly for Ghana, undertaking phase two of my project Puppets Without Borders. Let the creative adventures continue!


Catch you on the flip side!

21 January 2014

Lokumi (AKA Turkish Delight)


Growing up in Scarborough, a suburb of Toronto, my exposure to my Macedonian heritage was primarily through my parents, then through my extended family, then through the Macedonian community at large which we interacted with at various gatherings (picnics and dances, mostly) organized by the local Orthodox Church, St. Clement of Ohrid. My mid-to-late-1970s memories of accompanying my parents to church consist mostly of playing around with my cousins and some other kids in the downstairs banquet hall while the grown-ups did whatever they did upstairs.

Whether it was one of these social occasions or a Christening or some other event, there always seemed to be an old man selling treats by one of the doors as we all left. Sometimes I'd be in the mood for a sesame seed-covered ring of bread (the size of my face!) and sometimes I'd be in the mood for some lokum. I remember a nice fragrant rosy flavour to the pinkish ones, but there was a pale yellow variety, too, that just tasted sweet (it was unflavoured). Sometimes they had pistachios. The lokumi came in little white cardboard boxes and the treats were absolutely covered with icing sugar –fun to eat, but kinda messy. The Sunday mornings I went to church with my parents (or just my dad) were pretty much the only times I had lokumi unless we were visiting another Macedonian family and they happened to bring some out to have with coffee, so that flavour is intrinsically linked to my early childhood memories.

To me, this stuff was simply "lokum" whereas "Turkish Delight" or "Big Turk" (I won't even bother linking to it) was some weird and confusing candy you can buy in a convenience store. But real Turkish Delight is, in fact, what I'd been enjoying since childhood...and it helps people understand what the heck I'm talking about when I'm fondly reminiscing (even if they sometimes confuse it with that weird candy).

I was visiting my parents for Christmas recently and they had a box of lokumi so, naturally, I had to try some. There was a variety of flavours: orange (not bad), lemon (nice), plain (nice), peppermint (yech), and rose (the best!). Since I've already taught myself how to make graf (a traditional bean soup) I decided I should start learning how to make other Macedonian dishes from my childhood/culture like zelnik and other labour-intensive treats it seemed only my mom and my aunts ever made. I eventually learned that there's a lot of crossover between Macedonian and Turkish culture, but, as a child, of course, it was all just Macedonian. My mom gave me a recipe her sister brought back from Australia in the early 90s to help me out.

Recipe in hand, I also looked up some other recipes online and watched a few demonstrations so that I could customize the project to suit my tastes and try to replicate the treats from my childhood. The Australian recipe (and most modern ones) call for gelatin as a setting agent, but I couldn't find any in the local grocery stores, so I had to do without, which is totally fine because traditional lokum isn't made with gelatin anyway (which makes this a vegan treat, since there's no dairy involved, either). Unfortunately, the other ingredient unavailable to me here in Picton (as far as I could tell) was rosewater. As far as I'm concerned, this is THE flavour of lokum, a flavour I haven't tasted anywhere else, so it's uniquely linked to this treat. My compromising alternative was lemon (I almost used an artificial maple flavouring to make it a Middle Eastern/Canadian fusion, but I played it safe instead).

A Small Pond Arts
Special Projects Division
Presentation


Having Macedonian music on while I cooked was vital to this project, so I selected the appropriate playlist and cranked up the volume...

In 1 1/2 cups of water I added 1 tablespoon lemon juice, and 4 cups of regular granulated sugar.

While stirring, I brought this to a boil.

I don't have a candy thermometer (bring it to 155 degrees F if you do), so I just boiled and stirred for about 15 minutes or so, then I took it off the heat.

With 2 cups of water in another pot, I added a teaspoon of cream of tartar (to stop crystallization), 1 cup of corn starch (I think I should have used more...also, the Australian recipe calls this "corn flour" which confused me for a while). I tried the whisk for a bit, but realized this would take forever...

...so I switched to the immersion blender (egg beaters would be good, too), and blended over heat. I kept blending as it came to a boil, and it really thickened up –almost like glue.

I turned the heat off and added the sugar mixture slowly, blending until smooth.

Once blended, I turned the heat up again and brought it to a boil while stirring, then turned the heat to low and kept stirring intermittently for about an hour while it simmered.

Half an hour later.

An hour later.

I turned the heat off and added 1 tablespoon of pure lemon extract and a bunch of drops of yellow food colouring (for fun!), and mixed thoroughly.

I prepared a glass pan (could be metal, plastic, ceramic...it doesn't matter) by greasing the inside with regular vegetable oil and lightly sprayed Pam on some wax paper to prevent everything from sticking, then I poured the lokum mixture into the pan. Now you let the whole thing cool down completely for about 5 hours. I let this sit overnight.

In the morning I mixed 1 cup of icing sugar and 1/4 cup of corn starch into a bowl by using a sieve to get any lumps out...

...then, using the sieve, I sprinkled some of that mixture onto the slab of lokum...

...then I sprinkled some onto a cutting board.
That's a box of corn starch in the upper left creating a weird measuring spoons illusion.

Then I transferred the slab to the cutting board (even though I was careful, there was white powder everywhere) and carefully removed the wax paper.

Then I covered the slab with the sugar/starch mixture and spread it around with my hands.

Using a pizza cutter, I cut the slab into cubes.
I'm using my left hand in this shot because I'm taking the photo with my right.

Then I separated the cubes a few at a time and dredged them in the powder to coat them thoroughly, putting the coated ones in a plastic container. This is for flavour, too, but mostly so they don't stick together. Once done, I put the rest of the powder into the container and gave it a shake to settle it all.

Verdict: the lemon flavour is good, not too strong and not too sweet. The texture is the familiar lokum texture, but I find these a bit too soft, thicker/firmer would be better –I think that's where more corn starch might have been useful in the early stages (or gelatin, who knows?).

Also, I would have preferred rosy-flavoured lokumi, maybe with some pistachios, but my first attempt was pretty good and tasty (albeit messy!).

UPDATE: A friend of mine leant me a bottle of rose water and I made another batch of lokumi today. I even dared experiment with the imitation maple extract so I split the batch and flavoured them separately in different pots before pouring:

The maple is actually quite good and has a nice aftertaste (no colour added), but it was the rose-flavoured one I was really dying to try...

The rose turned out perfectly!

I added 3 drops of red food colouring to make it pretty.

NOTE: I used vegetable oil on the pan and the wax paper this time, but that just made the paper stickier and harder to separate from the lokum, and it had to be done carefully, to avoid weird stretching or even tearing of the treat. Last time, I used Pam For Baking and it worked perfectly.