31 March 2013

Heat


"Which painting in the National Gallery would I save if there was a fire? The one nearest the door of course."
– George Bernard Shaw

Last February we installed a wood stove in our dining room to supplement our winter heating with wood rather than burn tons of oil in the furnace. Sure, we're releasing the wood's carbon dioxide at a faster rate than if it were to decompose naturally over a long period, but we feel it's still cleaner –and it's certainly less expensive– than oil heating.


To prepare for the 2012/2013 winter we ordered two cords of hardwood (I wanted three cords, but the place we called would only give us two for some reason). So they brought and dumped a huge pile of wood which I slowly and neatly stacked behind our red shed and covered with a tarp, ready for the inevitable chill to come.

I brought the first batch of wood to the front porch via wheelbarrow (Vincent, to be specific) which I pushed onto the porch with the help of a ramp made from the door we removed from the Shit Shed before its renovation. I even planned ahead for hauling the wood in the snow: I bought a sled, attached ropes to it, and pulled the wood to the house like a stack of heavy children, all while singing along unselfconsciously to David Bowie songs.


But the winter wore on and, despite a few warm patches, was quite cold. And we were running out of wood.


Plot twist: we decided to burn the last of our oil at the end of the previous winter, hoping (in the summer or fall) to replace that furnace with one that ran on propane...but that didn't happen. So we had no oil in the tank and, to further thicken the plot, the furnace didn't pass a recent obligatory insurance inspection so we couldn't order more oil anyway. All we were left with was the wood stove, baseboard heaters in our bedroom, and a few portable space heaters. And hot water bottles. We love our hot water bottles:

Illustration by Niall Eccles.

Rather than reordering some more wood right away, I thought I'd first try something I believed to be mere myth –an old wives' tale used to scare little children so they don't become artists– and surely debunked by now. As the legend goes, finished watercolour paintings burn faster, hotter, and longer than chopped wood. That's gotta be bullshit, right? Well, I tried it out...


Taking an old watercolour painting I did way back in 2002 (Revolution) that was just sitting around taking up valuable gallery space, I unceremoniously shoved it into our wood stove, expecting to debunk the myth, but, at the same time, hoping it was true and that this crazy endeavour would provide us with some much needed heat.


Well, it was too big, for starters, so I had to tear it in half, separating the kid reading from a history book from the Revolutionary War soldiers engaged in selfsame historic battle and, lo and behold:

Super fire!

I had barely closed the door when the painting burst into flames, spurred on simply by the nearly dead embers. With the air intake fully open we were able to heat the house from the dining room all the way to the gallery (which is usually pretty chilly in winter because of the cement floor).


The burning painting was still blazing six hours later, about half as long as it took me to paint it.

With the myth confirmed (i.e. a finished watercolour painting will, indeed, burn faster, hotter, and longer than wood) we no longer had to worry about our rapidly diminishing wood pile...and we're keeping cozy while simultaneously making room for my new paintings by getting rid of old stock in the gallery.

Here's a video demonstration:




01 March 2013

What Your Heart and Art Desire

We may be up to our knees in snow, but it's time to start dreaming of the warmer months and filling our farmhouse and studio with the creativity of artists-in-residence.


Until March 31, 2013, we're offering 20% off all artist residencies of 1 week or more. You can write, paint, sculpt, draw, sing, wander, dream, or whatever it is your heart desires.



Is it time for you to start plotting your creative escape? For information on how to apply, visit our website.

23 February 2013

The Dark Night of the Soul

“If you’re going through hell, keep going.” – Winston Churchill

It’s late February, a month which, in our northern climate, seems to stretch on and on. It’s a time when it’s easy to feel down; there are fewer hours of sunlight and there's less social interaction. It's cold, it's slippery, we have to wear way too much clothing. Although I generally like to keep my outward appearances optimistic, it’s not always easy. Us creative types face some particular problems, and this time of year can certainly make things worse.

Everyone feels down from time to time; it is part of being human and part of what helps us appreciate happiness. But for creators, I think these feelings run deeper.

The Fiercest Calm by Milé Murtanovski
As artists we are product-oriented people. I don’t mean any disrespect to whatever you create, but it is a product. Like me, you probably think you are only as good as your last painting/play/ sculpture/show/composition. When your opening is a success and you are the talk of the town, you feel pretty damn good. When no one shows up, you have no sales, and you wonder what the hell you were thinking creating such a piece of garbage... you feel pretty rotten. What we do as our life’s calling is so deeply entwined with our sense of self that it is hard to separate creative failure from personal failure. It is because we take creative risks, and dare to show the world what is inside of us despite of it all, that makes our work meaningful. Of course this is also what leaves us so vulnerable.

A number of years ago I was struggling with writing an opera libretto. I was upset that I couldn't seem to get things right. I spoke with the director; and he called this period of the creation process “The Dark Night of the Soul.” Since that time, I have always thought of these difficult times as part and parcel of the creative process. Of course most of what I do is enjoyable or else I wouldn't do it, but there will always be times when I don’t know the way forward, I can’t see the light, I didn't get the gig/grant/job, I’m broke and tired and I question why I've chosen this life. I know I’m not alone here.

The view from our porch on a snowy day
My solution for this February has been to Make Stuff. I've made puppets, lanterns, and have sat behind my sewing machine for whole days at a time. Over the last few weeks our dining room was totally overtaken with my myriad projects. After a few weeks I thought this mess rather unseemly, so I wrapped up all my projects and filed them away, I dusted and vacuumed and sat back and admired all this tidiness. I was done.

But lo, there came the storm clouds. There was only one solution, and that was to Make More Stuff. Mess be damned, I’m going to keep on making stuff and making stuff until the snow melts and the grass turns green and the birds start singing. Even then, I'll probably just keep on making stuff, because it's what I do and it makes me feel good.


Good Medicine
It may not be rocket science, but that’s how I'm currently banishing The Dark Night of the Soul.

What do you do?