The Cardboard Queen

I'm sometimes known as the Puppet Lady around these parts, but these days perhaps a better name for me would be the Cardboard Queen. I love everything about creating with cardboard: its versatility, its low-art panache, its total free-ness and, of course, repurposing what is essentially garbage into something magical. 

June once again found me building Boxtopia - a creative cardboard kingdom for kids - with my dream team of artist friends at Skeleton Park Arts Festival in Kingston. I’ve been doing these installations for a number of years and it has become a real staple of the festival. This year our theme was "Rock ‘n’ Roll Arcade." Leave it to my awesome crew of cardboard collaborators to come up with such a rad idea. 

Boxtopia was a pretty happening place! There was a jam space...

A sweet DJ booth...

Plenty of games...

A Bowie-inspired hair salon...

And, of course, a place to get a tasty cardboard snack.

Most of our creations were made during Small Pond’s inaugural Cardboard Camp in the spring. I really enjoy working with other creators in the same medium, because we all have our own style, and I always learn a ton from collaborating with these folks. Plus, they are just so much fun to be around!

L to R: Krista Dalby, Chrissy Poitras, Kevin Merritt, Holly Gilmour, Nella Casson

As much as I love working large-scale, much can be said for working small. Last winter I had a hankering for a some artistic experimentation, and wound up creating this boxboard sculpture of Canadian poet Al Purdy. 

A few months later I decided that I should try entering it in a juried art show, Art in the County, which was a first for me. I was really happy when it was accepted into the show, and somewhat incredulous when I received a juror's award. Then I learned that the sculpture sold - another first. I don't know if I'll do any more work like this, but I'm feeling the gentle nudge of the universe reminding me that as an artist I should always be experimenting and reaching beyond my comfort zone. Good things happen there!

Most recently, I worked with Fixt Point Theatre this summer, designing their set for the theatre production of Tale of a Town – Prince Edward County, a play that I co-created with director Katie Swift and the artistic team. 

The Tale of a Town - Prince Edward County, featuring Chelsea Riesz, Kelsey Dann, and Nick Di Gaetano.
Photo by Johnny C. Lam

Naturally, I decided to make the set and many props out of my favourite material – cardboard! I was nursing an injured shoulder at the time of building the set, but thankfully my super-talented sister Caitlin was visiting at the time with her wife Helena, and the two of them helped make it happen. I don't know how I would have done it without them!

Me looking quite at home amongst scads of cardboard.
Photo by Johnny C. Lam

My goal with the set was to make the cardboard look as cardboardy as possible, ripping it and distressing it to show off its beautiful textures. I was really pleased with the result. I loved working in such a large scale, and doing something longer-lasting than my usual installations. I’m now nurturing some big dreams for large-scale projects… stay tuned!

Thanks for reading,

Krista Dalby, Cardboard Queen

2015 Resident Artists

As 2015 draws to a close, it's time for us to take a deep breath and look back on an incredible year. Small Pond wouldn't be here without the scores of artists who have invested in themselves through our residency program. The presence of these wonderfully diverse creators has enriched our lives beyond measure. A huge thank you to everyone who joined us in 2015!

Suzanna Lebec's residency was focused on writing. Hard work deserves to be rewarded, and we went on some spectacular outings, including cocktails at the Al Purdy A-Frame with writer-in-residence Kathryn Maclean.

Kath and Suzy at the A-Frame

Pamela Schuller had a productive residency making and painting masks.

Peter Paylor worked on a large sculpture carved from old cedar rails he found around the property, and demonstrated his carving at a Creative Rural Minds gathering.

Ginna Wilkerson joined us from Florida to work on some writing and a host of visual art projects. We went to an art opening at Blizzmax Gallery and she enjoyed getting to know the community through attending many local yoga classes.

Ginna at Blizzmax Gallery

Zach Van Horn came to us from Ohio and successfully completed a whole series of paintings.

Mieke Van Geest visited us for the second time to work on her book of photos.

Photo by Mieke Van Geest, taken during her 2014 residency

Alison Broverman and Katie Swift called Small Pond home while working on The Tale of a Town - Canada. I was thrilled to collaborate with them on this beautiful endeavour. We interviewed 60+ people about their memories of Main Streets in Prince Edward County, culminating in a theatrical presentation and podcast, which you can listen to here.

Katie and Alison in the Wellington Times, photo by Alison Broverman

Liane Décary-Chen came from Montreal to work on some graphic design, and learned how to play Kubb, the Swedish game of champions.

Animators Ruth Taylor and Auke de Vries came to us all the way from Amsterdam, but Small Pond was just one stop on their 'round-the-world residency adventure. 

Auke at Point Petre

Ruth tries her hand at axe-throwing on Jobs' Island

Some of our regular puppetry collaborators stayed with us while working on our latest shadow puppetry play, Unjustly. 

Guy Doucette and Craig Morrison, puppet designers

Andrew Young, head puppeteer and woodsman

Thank you to all these wonderful artists for making this a summer to remember.

If you're interested in joining us for a residency in 2016, we're now accepting applications. Please visit our website for details.

Peter Paylor and another Sticky Story

Earlier this month Belleville sculptor Peter Paylor undertook a 1-week artist residency at Small Pond. He showed up with his tools and started looking around the farm for inspiration.

He quickly found it in a stack of old cedar rails. Soon the cedar shavings were piling up on the barn floor, perfuming the air with that fresh-hamster-cage smell.

He was working on something… something big!

During Peter’s stay I was hosting a Creative Rural Minds event at nearby Loch Sloy; Peter came along and did a carving demonstration.

Here's Peter with part of his finished sculpture, Community. It is built from eight pieces of  cedar rail fence found on the property; it forms a single piece representing a community of ravens. Behind him you can see another carved fence rail he left as a gift to Small Pond. 

But Peter had one more gift to give us. It was a story. I recorded his telling of the story one night over dinner:

“It was the first Stickfest, in 2010 (an annual festival at Small Pond). I sat at the firepit and I was carving a piece of Hesperus (one of our trees that had fallen down), and Lisa sat down and started twisting some wire and making some jewelry. Another woman came and sat down and started knitting, and eventually the circle was filled with people, but we didn’t know anybody. I was introduced to this young kid, who was maybe about 13 at the time, and I was told that he did some carving, and he was curious about me carving this stick. I asked him if he’d ever carved sumac before. He hadn’t, and I had a sumac talking stick in the car so I got it and we talked about carving sumac."

"The woman sitting beside me asked about the stick and I said that it was a talking stick and told her that they’re used in groups and sometimes used in storytelling circles, and I said since you’re holding it, why don’t you tell us a story? Without hesitation she did. She told this cool story, and it was about a tree. And then she passed it to the person sitting beside her, it was a young guy, and he told a story about falling out of a tree; there were a couple of tree stories. There was a very young kid, and I thought that there’s no way that the stick is going to get to him and beyond him, but sure enough he had this great story. All the time this was going on there was a woman sitting there, and again, we didn’t know anybody. She was sitting there signing (American Sign Language). We weren’t sure if she was signing to someone. It turns out it was Mary Tiessen who we’ve since become friends with and she was actually signing for her husband, Jeff, who was sitting beside her."

"When Mary passed the stick to Jeff she signed to explain the whole process of what had been going on and he grabbed the stick and held it against his chest and thought for minute and put the stick down on his lap, and out of his hands and amazing expressive face and out of Mary’s mouth came this beautiful story about how he had gone diving with his father when he was a kid and they had this shore lunch and they had stopped in this cove and it was the most beautiful place they’d ever seen and wouldn’t it be great if we could build a cabin here one day and they thought about it and they went to the province of Newfoundland and they negotiated for years and actually bought this crown land and they actually built the cabin. It was a beautiful story, people were in tears, I was in tears. Then when he was done he got so excited he started giving thumbs up and jumping up and down, and he rushed over and hugged me. And all day at Stickfest he kept giving me thumbs up and hugging me. I asked Mary later, it seems a bit much…? and she said: he never gets to tell a story."

"That was my favourite moment of when I got to use one of my own talking sticks. I actually told this story to one of the organizers of the Ottawa Storytellers’ Group, and last I heard they were planning on arranging a storytelling circle for the Deaf.”

Incredibly, this was the first time we’d heard this story, which happened almost five years ago. It makes me think of the impact you can have on someone’s life when you give them an opportunity to express themselves. And at the heart of it, that is what Small Pond is all about.

After hearing Peter's story, I dug through my photos.
This photo is from Stickfest 2010, and this is some of the
circle of people described in his story.

A 'SPARC' of Inspiration

I spent last weekend in Ontario's Haliburton Highlands for SPARC: Symposium for Performing Arts in Rural Communities. 

The event centered on the Haliburton School of the Arts, a gorgeous facility set amongst beautiful wilderness and peppered with outdoor sculptures.

Upon arrival, we were warmly welcomed and directed towards a rack of costumes and a photographer. Yeah, I think I'm going to like it here.

Devil meets hula cape meets Hamlet.... whaaa?

Next we were guided over to a wall where we put a pin on the map to show where we'd come from - a great representation across Ontario, Canada, and even a few international guests.

We were given index cards on which we each wrote what we were seeking and what we were offering. Mini versions of our costumed photos went on the cards, too, helping people find each other and make connections. It's easy to feel awkward about networking, but these few fun icebreakers really helped set the stage for meeting one another.

There were three stirring plenary sessions that were held in the Great Hall...

And numerous smaller sessions, including mine! I was honoured to have been chosen as a presenter, and gave a workshop called "Celebrating Local Stories With Shadow Puppetry."

How much can I possibly talk about shadow puppets...? Turns out, a whole lot!

After presenting a slide show covering my work with Shadow of a Doubt Collective, ArtsCan Circle, Puppets Without Borders and the Ontario Arts Council's Artist in Education program, it was time to offer some hands-on experience. I guided the participants into brainstorming a local story from their community, which they shared with each other. 

Participants sharing their own local stories

Then they had the opportunity to make a shadow puppet of their very own.

I love these two shadow puppets that got hung up in the Great Hall,
a nod to the history of  logging and forestry in Haliburton

There were *so many* great presentations, like this one on site-specific theatre by Kendra Fanconi of The Only Animal. Here she discusses her work "NiX," set in a geodesic dome with a set made of snow. WOW!

But it wasn't all classrooms and Powerpoint presentations. We went on field trips!

You're either on the bus, or off the bus... and we were definitely *ON*.

Who would want to come to a place like this without getting to experience some of nature's magic?

There were also tons of performances of theatre, music and dance, keeping the creativity flowing and helping us get to know each other's work.

Bi-coastal collaboration:
Newfoundland's Dan Rubin with Tina Jones from B.C.'s The Kerplunks

There were so many wonderful, like-minded people at SPARC. New friendships were forged over box lunches and bus rides, and there are great hopes of building a network of us creative rural folk to keep these conversations going.

Sadie Dixon-Spain from Scotland's The Walking Theatre with Tina Jones

To wrap up the symposium there was a presentation from the youth caucus. Some 20 or so youth were in attendance, and it was really important for all of us to hear their perspective.

All in all, it was an incredible couple of days, and I returned home to my own beautiful neck of the woods, inspired and invigorated. As a rural creator of performing arts I face particular opportunities and challenges - but now I feel like I'm not so alone. There are artists creating incredible work in the most unlikely places, and I'm going to keep on keeping on, carving out a place for myself in Prince Edward County's local culture.

Home sweet home.

The Artists' Trail

There is a path in our woods. We call it the Artists' Trail. 

Visiting artists and guests are invited to create a piece of art and leave it on the trail, and everyone is welcome to explore it.

It's hard to resist the call of a path cut through the trees.

Let me show you a few things along the trail. DUCK!

It's a bone mobile. Most people run into it.

We maintain the path, but let nature entangle itself with the artwork.

Wind and water take their toll on every piece in one way or another. This carving by Peter Paylor was a light golden colour when we installed it:

 Many have left their mark here.

And their bright ideas...

There are love letters...

Nests...

And a sculpture that you shake to make a wish...

If your wish *happens* to be finding a place to create a sculpture in nature, then you are in luck!

When you reach the end of the trail, there is a view so beautiful we can't show it to you here...

You'll just have to come and see it for yourself.

The public is welcome to explore our trails; just check in at the gallery so we know you're out there!